Italian painter, the last great Italian
personality in the history of painting at Rome. He carried out
prestigious church commissions and painted numerous fine mythological canvases, many
for eminent foreign patrons, but he is famous above all as a portraitist. After Mengs
left Rome for Madrid in 1761 his preeminence in this field was unchallenged, and
he was particularly favoured by foreign visitors making the Grand Tour (an extensive
journey to the Continent), whom he often portrayed in an antique setting.
His style was a polished and learned distillation from the antique, the works of
Raphael, academic French painting, and the teaching of his master Sebastiano Conca.
His characterization is not profound, but it is usually vivid, and he presented his
sitters with dignity. Batoni was also an outstanding draughtsman, his drawings after
the antique being particularly memorable. He was curator of the papal collections
and his house was a social, intellectual, and artistic centre, Winckelmann being
among his friends. |